Category Archives: Fun Educational Stuff

Shakespeare on MP3

No time to elaborate right now, but I wanted to pass on the link: Shakespeare for the Ears by Chirotoons. It’s a $19 disk that has a bunch of mp3 files including an audio recording of Nesbit’s Beautiful Stories from Shakespeare, some old-time radio adaptations of Shakespearean plays, and a bunch of other stuff including PDF files of study guides and whatnot. I have ordered other things from these folks in the past and was quite happy with the quality. Just had to share!

Learning to Write: Preschoolers and Proper Pencil Grip

When it comes to early childhood education, I am firmly in Charlotte Mason’s corner. (Along with John Holt, the Moores, and the Waldorf folks, for that matter.) There’s no need to rush into early academics; in fact, I think it’s a downright bad idea. Childhood is being shortened and children are being pushed into scholarly performance at ages ever more tender: six years old, five, four, even three. A Newsweek cover article asked recently, "Are kids getting pushed too fast, too soon?" The answer for many children in this country is emphatically yes. They’re being pushed into Reading, Writing, and ‘Rithmetic when they ought to be playing Red Rover. A young child’s "curriculum" should be mud, paint, acorns, and dough.

I believe this with all my heart, and yet here I am with my third child catapulting into reading at preschool age. I didn’t teach Beanie to read. She, like her sisters, is growing up in a print-obsessed house. (Today a mover came to give me an estimate; he said he’d never seen anyone with so many books. Gulp. "But then," he added, looking around, "you don’t have much besides books, do you?") And like her sisters, Bean has cracked the code pretty much by herself.

We read some Bob Books together over the past year, because she wanted to—and ONLY when she wanted to. She cuddled up for hundreds of read-alouds with me, Scott, or one of her big sisters. She pored over the pages of Tintin and Scooby Doo. (Re the latter: there are few joys greater than reading a comic book your own daddy wrote.) Somewhere along the way, she put the sounds together and now she is reading, really reading. Yesterday she announced that she had read Green Eggs and Ham all by herself except for one word (could), which Rose helped her with.

I have been sitting back, not pushing, not even coaxing. When she asks me to listen to her read, I do, with delight, and I praise her triumphs lavishly. When she asks me to read to her, I say yes as often as I possibly can. But I don’t require her to practice reading; I don’t tell her to read. I believe this is very important. She is five years old. She has the rest of her life for books. At her age, life ought to be more about living stories than reading them.

Feeling as strongly as I do about the importance of delaying formal lessons until age six at the absolute earliest,* I’ve been in a bit of a quandary this past year about one aspect of Beanie’s development. She loves to draw and color, and during the past six or eight months she has been doing a fair amount of writing, too: captions for her pictures, notes to Daddy, lists of names, that sort of thing. And she has always done all this writing and drawing with the crayon or pencil gripped in her fist.

I have shown her a proper pencil grip, but I haven’t forced her to use it. She is comfortable with the fist grip and in fact gets panicky if you suggest she forego it for the finger grip—"I might ruin my picture!" she’ll say with horror. I have chosen not to worry about this, not to push, biding my time. First she was only three, then only four, now only five. But of course I cannot deny there’s been a nagging voice in my head urging me to correct her grip before the wrong way becomes a habit so firmly fixed it can only be broken with much distress.

On a friend’s advice I broke a box of crayons into small pieces, because if the writing instrument is small enough, you CAN’T grip it with your fist—only with your fingers. But nobody likes to use broken crayons, including Beanie. I tried small pieces of chalk, too, but then there was chalk dust everywhere and Wonderboy was writing on the walls and I think I got tired of chalk pretty quickly.

Recently I decided that I’d wait until our California move was behind us and we were nicely settled into our new home, and then I’d sit Beanie down and work with her on correcting her pencil grip. And still I was arguing with myself, because I knew that forcing her to hold the crayon "my" way would frustrate her, and did I mention she’s only five? And did I mention I don’t believe a five-year-old should be forced to endure penmanship lessons?

Turns out I needn’t have worried. A simple solution was sitting on my shelf all the time.

When did I buy the Handwriting Without Tears Stamp and See Screen? I don’t even remember. I think it’s been on the shelf quite a long time. I remember it seeing a lot of use in the first weeks after we got it, and then I probably cleaned it up (where "cleaned" means "scooped it up with eight hundred pieces of partially used paper and assorted coloring books and dumped it on an upstairs shelf where I wouldn’t have to deal with the mess") and forgot about it.

One of the kids found it yesterday. Basically, it’s a small Magna-Doodle. If you have the Handwriting  Without Tears wooden letter blocks, you can press them on the screen to make the letters show up. We do have those blocks, somewhere. I don’t know where. I think the whole "stamp the letter shapes" thing is probably interesting to a kid once or twice, and then it gets old. BUT. The Stamp & See Screen has a small "pen" attached by a string. VERY small—the size of a broken crayon or piece of chalk. It serves the same purpose as the Crayola fragment: you can only write with it if you hold it with your fingers in a proper pencil grip.

And hello, it’s a Magna-Doodle (-type thing)! Which equals fun. (And also: sibling squabbles.) Beanie’s in heaven because I told everyone it belongs to HER. Ah, the bliss of ownership. She happily drew faces and wrote letters all day with the loveliest pencil grip you ever saw. Which is not to say that she won’t revert right back to her fist grip when she picks up a crayon tomorrow. But now she knows that she CAN write and draw nicely with the finger grip, and I can relax about the whole thing.

I thought I’d pass on the tip in case anyone else out there is stressing over a little fist grip. But I do want to clarify that I’m not recommending you sit your little one down with the whole HWT pre-K package and require handwriting practice. I know several moms who have successfully used the HWT program with older children, and if younger kids want to play with the letter blocks as toys, great. But let it be a "may" and not a "must"—fun instead of fuss.

*About the "no lessons until age six or seven" thing: with Jane, my oldest, that is not at all the approach I took. I was eager to dive into all sorts of learning & exploration with her, and we were doing loads of rabbit-trailing when she was four and five years old. It was all very delight-directed and I always backed off the instant I saw her interest waning, but still. As she has grown, with other little ones coming up behind her—and remember she’s only eleven now, still quite young—I have gained more understanding of what Charlotte Mason was advocating for in Home Education, the book in which she lays out a vision for "educating" the child under seven—a vision rich in nature study and wholesome play, but containing no academic studies of any kind.

UPDATE on Beanie’s pencil grip here.

I Love When It All Comes Together

I’d love to take credit for planning the trip down the lovely little path the kids and I are following at the moment, but I can’t. The trail appeared before us and we set forth, that’s all. It started with Our Island Saints, a book I’d ordered from Yesterday’s Classics last year.

No, wait, I guess it really started with my decision to take a cue from the Waldorf folks and keep "saints and heroes" in mind as a kind of over-arching theme for Rose and Beanie this year. An umbrella, if you will, to provide some shelter from the chaos of our move. Our Year of Saints & Heroes. It has a nice high-tide sound to it, though of course you know we’ll be spending much of this year in the lowest of low tides. And that’s fine. We thrive on low tide around here.

(Hey! Just occurred to me! I get to add actual BEACH experience to my whole Tidal Homeschooling thing! You SEE the lengths to which I will go in order to flesh out a metaphor for you?)

Anyway. Our Island Saints, I was saying. We started with St. Brigid of Ireland because she is special to my family, and also she is the patron saint of scholars and babies. Before I began reading (this was one day last week), I printed out some pictures for the kids to color: pictures of the saint for the younger girls, a complicated Celtic knot for Jane.

I read part of the story (it’s long) and a good deal of it was about how kind and generous Brigid was to the poor, how she’d give away her bread to any ragged stranger she passed on the road. That reminded me of a poem I love—Alice chose it for the first post on her blog last year—and I sent Jane to fetch The Harp and Laurel Wreath so we could read it together. It is "An Old Woman of the Roads" by Padraic Colum, and it begins like this:

O, to have a little house!
To own the hearth and stool and all!
The heaped up sods upon the fire,
The pile of turf against the wall!

The poor, bereft, wandering old woman: she could use a Brigid in her life.

After we read it and talked about it, I got a little goose-bumpy, because I remembered that Padraic Colum is the author of the VERY NEXT BOOK I had planned for a read-aloud. It’s called The King of Ireland’s Son, and if you’ve never read it, you’ve got to treat yourself to the rollicking, lilting (hey!) adventure of it. Sure and ’tis as fine a bit o’ storytellin’ as ivver I’ve seen. Weaving together the strands of old Irish tales, Colum creates a rich and riotous tapestry of princes and enchanters, cats and kings, monsters and maidens, songs and swords.

Like this:

"…the youth
I’m telling you about did nothing but ride and hunt all day.
Well, one morning he rode abroad—

"His hound at his heel,

His hawk on his wrist;

A brave steed to carry him whither he list,

And the blue sky over him,

Oldman_1
"and he rode on until he came to a turn in the road.  There he saw a gray old man seated on a heap of stones playing a game of cards with himself. First he had one hand winning and then he had the other. Now he would say ‘That’s my good right,’ and then he would say ‘Play and beat that, my gallant left.’
The King of Ireland’s Son sat on his horse to watch the strange old man…"

Irresistible, I’m telling you.

And so,

with my babe in my lap

and my boy at my knee,

and my big girls before me as rapt as can be,
and the boxes all around us,

we are off on another adventure, and fie to the packing.

WikiMapia, or Yet Another Way to Spend Half Your Morning on the Computer

Ohhhh, this is too much fun. Scott sent us a link to the WikiMap view of the house we’ll soon be renting, and just like that, a new addiction is born. The kids and I just spent the entire morning looking at aerial views of, well, everywhere.

We found our current house in Virginia and Scott’s new California office. Look, girls, there’s Daddy’s roof! Beanie was pretty sure she could see him waving. We scouted the whereabouts of parks and libraries in the neighborhood we’re moving to next month. I may not be packed yet, but doggonit I know how to get to the library in my new hometown. And the Target, and the nearest Catholic church. Yes, we have mapped out our own little baseball diamond of essentials: first base, second base, third base, home plate. Best part: there’s a Schlotzsky’s in the infield.

And the outfield? Great googly-moogly!

Coast2

And because it’s a wiki, you can add your own labels and landmarks to the map, too. People from all over the world are entering the names of churches, schools, hospitals, parks, recreation areas,  and stores. Oh, and also: Ashley’s house. I don’t know which Ashley. But her house is in my outfield.

Really Good Books, Right There on Your Screen

This morning, before a well-intentioned realtor played a game of Psych! with my day, I was raving to a friend about the fabulous, wonderful, incredible resource that is The Baldwin Project, and I realized I haven’t raved about it HERE nearly enough. I’ve linked to it several times, but I haven’t taaaaalllllked about it. And that’s what I do, talktalktalk about the Delightful Resources we use for the Cultivation of Mind and Spirit. (My more dignified and hyper-capitalized way of saying "fun learning stuff.")

So. The Baldwin Project. Do you all know about this? It’s books. Books that volunteers have generously devoted their time to scanning in or typing in or I don’t know how they get them IN, but they’re IN THERE, just waiting for you to read them to your kids. Print them out, download them, whatever you want. If you want a nice papery-smelling actual hard copy to hold in your bookloving hands, you can buy those at the project’s publishing arm, Yesterday’s Classics. At quite reasonable prices, I might add.

These are old books, books that went out of print or fell into the public domain. Lovely old books like Famous Men of Greece, Famous Men of Rome, The Blue Fairy Book, Among the Pond People, Tanglewood Tales, Wild Animals I Have Known, and oh how the list goes on. There are treasures here, rich books, living books, stories to make a mind soar and a heart grow.

If you’re an Ambleside Online user, you probably already know about the Baldwin Project. If it’s new to you, prepare to lose an afternoon—and gain aeons.

It’s 10 PM. Do You Know Where Your Post Is?

The reason I haven’t posted yet today is because last night I read this post by Willa which mentioned this post by Sandra Dodd, which put me in the mood to work a jigsaw puzzle. So this morning I dug out the Global Puzzle, which has been in the basement for three years. I remember because the last (and first) time we worked it, I was pregnant with Wonderboy. None of the kids remembered it, and we spent all day hunched over the coffee table, exclaiming over the relative size of countries.

If you don’t know this puzzle, it’s awesome. And HARD. In a fun way. It’s a map of the world, and unlike other map puzzles, in this one the pieces are cut to match the individual countries. (Except a few really tiny ones clumped together. Very challenging! I need not point out what a terrific geography lesson it is.

Puzzle

Now good night! I have to go finish Africa.

From Charlie Brown to Easy Reader

When I posted not long ago about our passion for the Snoopy CD, a couple of commenters recommended a Peanuts DVD set I had never heard of.

"Have you heard about the recently released DVD This Is America, Charlie Brown; It is eight American History episodes done Peanuts
style and it’s only $15.00 on Amazon. My daughter LOVES it."

Charliebrown
So naturally when I had an Amazon coupon burning a hole on my desk (a searing black hole; really I had to do SOMETHING about it, didn’t I?), I  doused that fire with good old Charlie Brown. And wow, wow, wow. We love it. Very good stuff. There are episodes on the Mayflower, the writing of the Constitution, and the history of NASA. Among others.

One thing I’ve been impressed by is how NOT dumbed-down these shows are. The Constitution one has you listening in on the Founders’ debates, and it’s complicated, fascinating stuff. Should lawmakers be elected by the people? The Peanuts gang is riveted by the debate, and so are we. Mighty refreshing to see makers of kids’ shows assuming the kids actually have functioning brains.

The other DVD set we’ve been enjoying lately is something I ordered from Netflix. I’ve been waiting thirty years for this. OK, maybe not exactly thirty, but pretty much since I was old enough to notice that it had disappeared from my PBS line-up. Oh yes, that’s right. The Electric Company. They turned it on, and they gave me the power.

Unlike, say, Captain Crunch, The Electric Company is every bit as magnificent as I remembered from childhood. This is where I met Bill Cosby, Morgan Freeman, and Rita Moreno. Also that nice guy with the glasses, and the funny girl with the long dark hair. And Letterman! And commas! And the plumber who has come to fix the sink!

My kids think it’s a riot the way I keep hollering HEY! I REMEMBER THAT!!!!!! from the next room. But more than the groovy (oh so very groovy, with those clothes, those hideous orange and brown sets) cruise down memory lane, these DVDs score points with me for their really classy way of approaching reading instruction. It’s fun, funny, smart, and simple. Good reinforcement for spelling and punctuation ("Punct-punct-punct- PUNCT-uation! They are the little marks that use their influence to make a sentence make more sense!"), too.

Electricco
I’ve been letting the girls watch one episode a day. Beanie has just recently progressed from hesitant sounding-out of Bob Books to honest-to-goodness reading with Henry & Mudge. The Electric Company came along at just the right time to help her make the leap. For example, in episode one, two of the characters have an argument (mediated by Bill Cosby) over whether the letter G says guh or juh. They take turns presenting examples for their respective sides. I’ll hear Beanie muttering under her breath, repeating the words the characters say. "Game. Gym. Gum. Large."

Meanwhile, Rose is picking up some quite useful spelling and grammar reinforcement. A sentence appears on the screen (in adorably archaic graphics): "The boy who is sitting is sleepy." A comma drops down from above. (It only wobbles a little.) It plops behind the word boy, and then another comma follows suit, landing next to sitting. Simple and effective, and since this occurs in the middle of an engaging song, the lesson isn’t boring.

And that’s the first episode, which is clumsier than subsequent ones. The graphics get (a little) better; the commas get less wobbly; the skits get funnier; the improv gets more polished. And the clothes? Even groovier.

Thomas Jefferson and Education

Scott’s birthday present to Rose was a surprise visit home for the weekend. Home! As in HERE! Which is to say: not California! All weekend! Here!

And now it’s Monday, and he has to go back, but let’snotthinkaboutthat.

On Saturday we decided to do some Virginia things we hadn’t gotten around to doing yet. One thing in particular, a place I would have felt really chagrined to leave this area without having visited: Monticello.

Like pretty much everyone I know, I’m awfully fond of Thomas Jefferson. Now, for me, I think the attachment was formed during childhood viewings of the musical 1776. (No WAY. Just  now when I looked up the IMDB link for this film, I discovered that Jefferson was played by well-known actor Ken Howard. I had no idea. He was so young! And red-haired!) What I chiefly took away from this film (which must have been on HBO, I watched it so many times) was that Thomas Jefferson was manipulated into writing the Declaration of Independence by a duet-singing John Adams and Ben Franklin; that Tom played the violin (a phrase I can only hear in melody and had to forcibly restrain myself from SINGING during the house tour on Saturday); and that he had a pretty wife who fell for him precisely because of that there violin-playing (which turned out to be a metaphor I totally didn’t get as a kid, fortunately).

The result of all this musical-comedy indoctrination is that I’ve always had in my mind an image of the young Jefferson, not the twinkling yet demanding esteemed-grandfather personage presented to us by our energetic tour guide at Monticello. The Monticello Jefferson (on the family tour, at least) is the doting gentleman who gave his granddaughter Cornelia six gray geese as a present for sending him a letter at the White House, the affectionate scholar who rewarded children with valuable books after they’d managed to read the books in question. Everything about our Monticello tour pointed to Jefferson’s love of education, his fascination with the arts and sciences, his determination to raise articulate and knowledgeable heirs.

There were unsettling incongruities—how can there not be, since this man who spoke out so passionately for liberty as a human right lived on a magnificent estate whose productivity depended on the labor of slaves—but the children’s tour did not delve into these. The slaves’ contribution was acknowledged matter-of-factly, at the beginning of the tour. (Tour Guide: "And how was all this beauty made possible? Who made it possible for Thomas Jefferson to live here in comfort?" Beanie: "GOD!" Tour Guide: "Um, well, yes, but…")

For the most part, though, the tour focused on the architectural details of the house and on Jefferson’s passion for learning. The kids were enchanted by the museum of Native American artifacts collected by Lewis and Clark (local heroes in these parts) and displayed by Jefferson in the entryway of his home. There’s a famous clock there, too, which Jane had read all about in some book or other and shared some interesting facts with the crowd, much to the tour guide’s amusement. (Tour guide: "You’ve certainly done YOUR homework!" Jane, blankly: "Homework?")

Some of the books on the shelves are Jefferson’s own copies: a Don Quixote in four volumes; many texts in Latin. I admit to some goose bumps as I peered through the protective glass to read the titles. I thought of little Cornelia standing on tiptoe to see the names inscribed on the leather covers of her grandpa’s books, wondering which of them she might one day earn for herself.

I could say a lot more, but we’ve got Scott for just a few more hours and I am ditching this computer posthaste. Instead of trying to be, you know, articulate and stuff, I’ll just leave you with some links on Thomas Jefferson education.

ThomasJeffersonEducation.org
One-Sixteenth on TJE
George Wythe College bookstore
Dumb Ox Academy—TJE in a Nutshell

We Have a Winner!

Three of them, actually. Diane, Stephanie, and Cici all correctly guessed the answer to yesterday’s trivia question: Charlotte Tucker (Quiner Holbrook), maternal grandmother of Laura Ingalls Wilder. (Which is to say: Ma’s ma.) Charlotte was born in 1809 along with Edgar Allen Poe and a whole bunch of other notable personages, such as Alfred Lord Tennyson and Abraham Lincoln (as Ryane pointed out). Also Louis Braille, British statesman William Gladstone, Charles Darwin, and Felix Mendelssohn. Quite a year for history, I’d say.

My girls discovered the 1809 connection when we read Abraham Lincoln’s World by Genevieve Foster. (If you don’t know the Foster books, you’ll want to check them out—they are an engaging and fascinating look at various historical periods, each one digging in deep to world history during the lifetime of a key historical figure like Lincoln, Washington, William Penn, or Columbus. They make terrific read-alouds for a wide age range. I’ll be reading Augustus Caesar’s World to my gang during the upcoming year.)

Charlottetall_1
We were excited to realize that Abe Lincoln was born just a few months before our good friend Charlotte Tucker. For me, Lincoln is so firmly connected to the Civil War that I had never given a moment’s thought to what was going on in the world when he was growing up. The War of 1812! Madison and Monroe! Jefferson was still alive, for decades! Do you ever think of Lincoln and Jefferson as having overlapped?

Anyway, Charlotte is the person I mentioned yesterday who is so very important to me. After writing books about her, she feels in some ways like another one of my own little girls. Same with her mother, Martha. Perhaps even more so with Martha because I’ve written about her both as a child and as a mother.

I know I said I’d give a signed book to the first person to get the right answer, but the three Charlotte answers came in so close together that what the heck, you all win. Email me your address and the name or names you’d like me to put in the book (you? your kids?), and I’ll send you each a copy. Also let me know if there’s a particular Charlotte or Martha book you’d like to receive.

Thanks to all who proffered a guess!

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School, Peanuts Style

It’s been a while since our last round of obsession with the Snoopy soundtrack, but after last week’s little road trip, we are all Snoopy all the time. We belted out the snappy tunes from this little-known musical comedy (more famous is its counterpart, You’re a Good Man, Charlie Brown) all the way up the coast and back, except when the baby was sleeping. And sometimes WHEN the baby was sleeping and we just forgot to keep quiet. After Wonderboy, we sort of forget, sometimes, that Rilla can actually hear our every whisper, and things like shouting "I know now that you can’t bend a cracker, no matter how hard you tryyyyyyy!" at full voice tend to rouse her from slumber.

Conveniently, Alice’s girls are big Snoopy fans too (she says disingenuously, omitting to mention she deliberately cultivated their appreciation by giving them a CD as a Christmas present years ago, mwah ha ha). Many an hour of our vacation was spent in the beautiful cottage dividing up the parts and rehearsing numbers. The Clouds song I wrote about last year remains a favorite, but this year’s front-runner was the show-opener, "Edgar Allen Poe." (Or, as Beanie says, "ENTER Allen Poe.") This ditty happens to be my own personal favorite from the soundtrack. Hilarious. And a bonus: educational! Sort of!

The Peanuts gang is in school, and Peppermint Patty is all in a tizzy. She just knows the teacher is going to call on her, and she won’t know the answer. ("I’m scared! I’m really scared…I’m unprepared! You know I’m unprepared…") Lucy and Sally know just how she feels.

"She’s going to ask me something
On Edgar Allen Poe…
I know it, I just know it!
Any moment now she’s going to call on me
And ask me something I don’t know
On Edgar
Allen
Poe."

Never fear—Linus has the answers. All of them. Always. "Poe, Edgar Allen, American poet, born in eighteen hundred and nine…"

(Trivia interlude: What other person important to me was born in 1809? I’ll send an autographed Little House book to the first person to respond correctly!)

As for Charlie Brown, oh, poor dear Charlie Brown, he tried to prepare, he really did. Clearly he did some cramming the night before, but he seems to have read the wrong chapter. He presents an excellent case study for Why Cramming Is Not the Most Effective Educational Method. His recitation of Poe’s Complete Works has never, in twenty years, failed to make me laugh. Perhaps you were unaware that Edgar Allen Poe was the author of the following works of literature:

Cock Robin
My Darling Clementine
Hiawatha
The Road to Mandalay
Columbia, the Gem of the Ocean

and best of all—

Dickens’ Christmas Carol.

At least, that’s what Charlie Brown says. (Yes, he says Poe wrote "Dickens Christmas Carol." Endquote.)

"Don’t let the world find out," begs Patty, "what I don’t know about Edgar Allen Poe."

I’m glad the world did find out.